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I also created make-your-own butterfly kits. It reminded me that representation matters.”, Get Morning Report and other email newsletters. They’ve created a culture. And we actually have molded our lives around that idea. So that’s one thing. And so often our messages are about what’s politically feasible. So, because there a lot of times the butterfly had been used like an add-on element to a message that would either be “stop deportation” or “migrants are human beings” or “migrant rights are human rights.” Still framing it through the lens of human rights or criminalization. Favianna Rodriguez, Jordan Kurland, Dhaya Lakshminarayanan and Marc Bamuthi Joseph joined KQED senior arts editor Chloe Veltman for a conversation about Art and Resistance at The Battery in San Francisco on Thursday, Apr. So I think that the creation of art simply as a gesture of contemplation and also the activities that people get to do, is also part of it. But a lot of times, the fossil fuel industry has told us that we need oil, oil is a sign of progress. Because sometimes we also host, it’s not just the creation of an object, it’s a show or it’s a film. The company renamed its Chubby Hubby flavor to Hubby Hubby in 2009 to mark same sex marriage in Vermont and created EmpowerMint in 2016 to promote voting rights, according to USA Today. It’s not just rational knowledge, its emotional knowledge. It’s important that we create objects that people can attach themselves to. Here, Rodriguez discusses the power of art to open our minds. the president of The Center for Cultural Power, a women-led nonprofit that For people who are unfamiliar with your work, how do you describe your work? So, I did that because I feel that our movement does not do that well. And so, when I created Migration Is Beautiful, it was about making a statement that we are a part of nature; we migrate. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? The White House couldn’t immediately be reached for comment Thursday morning. And it’s also more systemic. Latino bilingual news paper serving the community in the silicon valley in the Santa Clara county Because I feel that often a lot of our messaging is a fighting message. Favianna leads art interventions around the United States at the intersection of art, justice and cultural equity. Her art and collaborative projects deal with migration, global politics, economic injustice, patriarchy, and interdependence . She. So I’ve had projects where the timing hasn’t been right or I’m just not tapping into the moment. It was a defining moment for Oakland artist and organizer Favianna Rodriguez, who created the vibrant artwork for the ice cream pint’s label. SD: And from that experience they have, you have faith that there will be some fruit in the future? So as a result, those artists now are gonna be lifelong immigration activists, because they have witnessed it, they’re mad, they’re sad, but they also know the truth. (Anda Chu/Bay Area News Group), Oakland artist and organizer Favianna Rodriguez designed the artwork for Ben & Jerry's new "Pecan Resist" political ice cream pint, that is photographed in Oakland, Calif., on Thursday, Nov. 1, 2018. And it’s also about creating something to note and to reflect your existence. In order for people to transition off of oil, they first have to be able to imagine what their life can be like — they have to almost unlearn some things. I think that art is the language of possibility. Oakland artist Favianna Rodriguez is ... - The Mercury News And that is what art is to me. FR: Yes, I have had a project that didn’t work. It’s like a very, very old practice. And I think that’s a huge mistake, because cultural change precedes political change. SD: Have you ever had a project that didn’t work? She is also the co-founder and president of Tumis , a bilingual design studio serving social justice organizations. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. It’s not just about regurgitating a message, it’s actually the activity and the action of making art and community is in itself healing. And we actually have molded our lives around that idea. SD: Sure. The timing of it wasn’t right. In addition to her work at CultureStrike, Rodriguez is a prolific artist and created “Migration is Beautiful,” an image that has been widely adopted as a symbol of the migrant rights movement. Related Articles SD: You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? Mar 16, 2015 - Artist, Favianna Rodriguez, completed an art installation about her connection to her the community she grew up in - Oakland's San Antonio and Fruitvale districts. And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. Sure. What was the quality of the interaction with the work or the experience? And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. For me, the butterfly also represents transformation. Rodriguez began as a political poster designer in the 1990s in the struggle for racial justice in Oakland, California. On Favianna Rodriguez Written by Sally Morton In the progressive United States, it is easy to be blindsided by materialism or societal factors and give up what one loves in order to succeed or make a living. FR: I think that art is the language of possibility. SD: You facilitated using your skills in order to make it look nicer, make it more accessible to people. The image is not just the monarch, it actually has two faces in it, which added to this sort of blending of humans and the natural world. Rodriguez is a co-fo… I created an exercise with my organization, CultureStrike, where we had videos on how you can cut out your own wings. You know it’s one of my all-time favorite sort of symbols, campaigns, so on and so forth. I am an agitator and artist. Throughout the development of her art piece, she set out to research food culture in the community she grew up in. You often address the theme of migration in your art. I mean, I care about culture, I care about pop culture. This little pig who was saved, and he’s in a sanctuary now.” Or I’m gonna tell the story of a kid who has asthma because the refineries are in his town. Communications messaging is different than what we need in order to win hearts. “I designed it to be about dignity and joy and resistance,” said Rodriguez, 40. I mean, we have to understand the issues. So, for example, people are not gonna vote for clean energy if they don’t believe that oil is dirty. I always want to create opportunities for people to engage with the work in a way where they’re also embodying it. They’ve created a culture. Rodriguez is known for using her art as a tool for activism. I mean, I care about culture, I care about pop culture. Inflection Point 111: Gloria Steinem and Favianna Rodriguez at the Castro Theatre By Lauren Schiller • Mar 22, 2019 Photo courtesy of Gloria Steinem/modified from original Art is about myth-making. 20. I believe all art is coming from a point of view, and we’ve grown up in a world where overwhelmingly we are seeing the world through the perspective of white men and we’re seeing their art and their gain. I’ve been waiting about a year for this show and it's finally here! And they’re not necessarily around nature culture. I felt like we can tackle this problem after reading this book. Sorry, your blog cannot share posts by email. Because again, we’re approaching things from a different . This is also why we need artists with first-hand, lived experience. Communications messaging is different than what we need in order to win hearts. Because even though it sounds easy, it’s actually not easy. You know, like when I do projects on factory farming and on fossil fuels, like I really try to think about: What perspectives am I sharing here? And how do you know when they are successful? We always support emerging artists. And that’s what we do. So much of my time is actually understanding what solutions are being proposed. Favianna leads art interventions around the United States at the intersection of art, social justice and cultural equity. Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. This little pig who was saved, and he’s in a sanctuary now.” Or I’m gonna tell the story of a kid who has asthma because the refineries are in his town. Art is the language of the future, and through art we can actually create the vision of the world we want to see. It’s not just about regurgitating a message, it’s actually the activity and the action of making art and community is in itself healing. And what does art have to do with it? So, I think in general it’s a metaphor that’s been out there. And that’s what we do. What do they notice that is different for them? They were extremely moved, and they were also shocked. Click here if you are having trouble viewing the photo gallery or video on your mobile device. (Center for Cultural Power) The Cultural New Deal goes beyond individual artists. We’re not gonna be able to be effective artists if we don’t submerge ourselves in the realities. Was that a conscious decision? It’s like they’re spectators, they’re not participants. I'm a multidisciplinary artist and also a worker of social justice. Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. I mean, we have to understand the issues. Have you ever had a project that didn’t work? And how did you know that it didn’t work? She lectures globally on the power of art, cultural organizing, and technology to inspire social change, and leads art workshops at schools around the country. That to me is what needs to happen more. Favianna Rodriguez is a transnational interdisciplinary artist and cultural organizer. My organization’s contribution was thinking of ways that people can engage with the subject. There’s always fruit, and that’s the thing that, I trust artists. Although it also sounds like in thinking about an artist’s autonomy, you also hold artists, or at least hold yourself, up to pretty high standards. Stephen Duncombe: I wanted to ask you about the “Migration is Beautiful” monarch butterfly. Like they’re not necessarily participating in the sort of dialogue that’s happening around them. They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. Or when the fires happened, I’m like, “Okay let’s talk about climate policy.” Now that the migrant caravan is happening, I am pushing out the butterfly again. You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? It’s a message about what we’re against. I’ve done tons of those workshops, and wherever I go the old ladies, the moms, the kids, they come and they’re just painting their butterflies, so immersed in it. It's geared towards the people who program and fund the arts. Like: My role as an artist is to work with a movement and do this sort of work? And I found it to be super effective. That to me is what needs to happen more. I became curious on its true meaning and googled it. Our movement, overwhelmingly pain-oriented, and a lot of the ways that we activate are not around comedy, they’re not around joy. FR: Right. So I always have believed in the compelling nature of being able to create things that are a reflection of you, because that’s what we long for as human beings. Even in how were designing things, and how we’re meeting and how we’re discussing, everything is done through the modalities of artistic practice. And how do you know when it doesn’t work? Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as … I mean you’ve done a lot of successful projects right? They both came up through the grassroots activism scene of the Bay Area in the late 1990s. FR: Yes, culture is a set of behaviors and ideas and beliefs. The piece is dedicated to my loving father, Gustavo Rodriguez, who passed away June 1, 2016 after a short battle with prostate cancer. Art is about myth-making. So, I do believe that as artists we do need autonomy to do our wild crazy ideas. Artist, cultural organizer, and social justice activist Favianna Rodriguez will provide a keynote address at the WSU Pullman campus on Tuesday, March 31. And then I created merchandise with it, and I created things that people could put up in their living rooms, t-shirts, earrings, because I also think that so often a lot of things just live online, but I do think that people really want to show their values. We want this story to go far and wide! Favianna Rodriguez is a prime example of someone who has fought to do what she loves despite oppression, racism, and disbelievers. I wanted to ask you about the “Migration is Beautiful” monarch butterfly. It was around: How do we make this image? I follow the news, I follow social media, I see what people are talking about. Favianna Rodriguez is an interdisciplinary artist, cultural strategist, and activist based in Oakland, California. Tatiana Sanchez covers race, demographics and immigration for the Bay Area News Group. 05-oct-2013 - America's Voice blog content about immigration, immigration reform, important legislation at the federal and state levels, and the Trump Administration. I just say, “Just take it in, and you are a storyteller, and try to think about how you want it to come out and the story that you tell.”. Post was not sent - check your email addresses! So, as a woman of color I make art because I don’t see my existence reflected back to me in mainstream culture, I see whiteness reflected back to me. How did you become interested in this subject? I mean there’s just a lot of ways for it to be interpreted. Listen to local artists. FR: Yes, so, to me art is about having a voice and it’s about expressing yourself, which is a fundamental right. Was that a conscious decision? And that it’s a highly militarized zone, and they were able to see it and experience it. The answers I glimpsed through online were positively surprising. Yes, I also think that I wanted for people to have fun with it. , where we had videos on how you can cut out your own wings. Rodriguez designed the artwork for Ben & Jerry's new "Pecan Resist" political ice cream pint. Favianna Rodriguez (favianna.com) A human hand reaches out from the side of a bird in this print, Transnational, by Favianna Rodriguez. And please share it with other Burners. I mean art is really our imagination. So, I mean it’s not designed to move people in the same way where art I about bigger ideas, it’s about a bigger narrative, it’s not just about reacting to the current political reality. So, at CultureStrike we believe in it so much that any time we have any kind of collaboration with an organization, we basically do a pop up studio thing. Favianna Rodriguez: I'm a visual artist. First, I look at what the impact on the people who experienced the art was. Although it also sounds like in thinking about an artist’s autonomy, you also hold artists, or at least hold yourself, up to pretty high standards. And how do you know when they are successful? We invest so much in the leadership development of grassroots organizers, we need to be supporting the leadership of artists early on, early, early on. Favianna Rodriguez. This print edition honors birth and death, and how these two incidents create the cycle of all life on our planet. And the other things is that I wanted to sort of speak from a place of being affirmative and visionary and even futuristic, or naturalistic, using nature as a way to story-tell. Art is the language of the future, and through art we can actually create the vision of the world we want to see…To document how you’re experiencing life in a way that may not be scientific or is more about myth-making and storytelling, that to me is art. Favianna Rodriguez. It was around: How do we make this image? And the character in the middle stares straight ahead, holding an orange sign that reads, “resist.”, Ben & Jerry’s announced the limited batch flavor Tuesday, saying, “We can peacefully resist the Trump administration’s regressive and discriminatory policies and build a future that values inclusivity, equality, and justice for people of color, women, the LGBTQ community, refugees, and immigrants.”. Or when the fires happened, I’m like, “Okay let’s talk about climate policy.” Now that the migrant caravan is happening, I am pushing out the butterfly again. Right, right, it goes back to that sort of emotional knowledge as opposed to just information. So, I mean it’s not designed to move people in the same way where art I about bigger ideas, it’s about a bigger narrative, it’s not just about reacting to the current political reality. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? In a way, you’re answering the question that I wanted to move to next, which is: How do you think social change happens? So, by the time some of these artists are ready to engage they have a solid foundation of an understanding of the issues, but they also have the ability not to just regurgitate movement messaging. The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. Favianna is the co-founder of the EastSide Arts Alliance and Visual Element. The character on the left is gender queer, meaning not exclusively masculine or feminine, according to Rodriguez, and has her fist in the air. Creating artwork on a national platform was a pivotal moment of visibility for her, she said, because people of color are often left out of critical cultural moments. President Trump has not commented on the flavor. Can you explain that a bit? FR: I follow the news, I follow social media, I see what people are talking about. They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. Favianna Rodriguez, Oakland, California. I always want to create opportunities for people to engage with the work in a way where they’re also embodying it. So, I think in general it’s a metaphor that’s been out there. Her designs and projects range on a variety of different issues including globalization, immigration, feminism, patriarchy, interdependence, and genetically modified foods. Fun Facts about the name Favianna. The timing of it wasn’t right. Yes, I have had a project that didn’t work. I also don’t believe art is neutral. It’s a straight up fabrication that we need more money for the wall. Pictured: CultureStrike at the People’s Climate March in 2014. Yes, culture is a set of behaviors and ideas and beliefs. Favianna Rodriguez is an interdisciplinary artist, cultural strategist, and social justice activist based in Oakland, California. Many artists are not always thinking about timing. Favianna Rodriguez. We always support emerging artists. Ben and Jerry want to know. And culture has to change before policy does, in fact policy is like the final manifestation of an idea. SD: Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? But then: How do we also facilitate its distribution and its use. How Trump will hand off nuclear football if he won’t meet Biden, ‘The last place they want to go’: How COVID-19 is devastating East San Jose businesses, Why traffic reporters aren’t flying anymore — and why that’s not a bad thing: Roadshow. Jan 18, 2012 - The online spot to get fine art, limited edition prints, political posters, calendars, books, t-shirts, and sexy dresses by Favianna Rodriguez, an acclaimed artist engaged in social change. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. And frankly, you could only understand that if you are watching it or if you’re engaging in it. SD: Nice, that’s great. A longtime friend of the Museum, Rodriguez is the cofounder of the EastSide Arts Alliance and Cultural Center as well as CultureStrike, a national network of socially engaged artists. So, by the time some of these artists are ready to engage they have a solid foundation of an understanding of the issues, but they also have the ability not to just regurgitate movement messaging. People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. And it’s also more systemic. SD: One of the things I’m interested in is: how do people like you know that what you’ve done works? Black History Quotes Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding And so because of that, I believe that art is a way for people to express themselves through the making of objects or the making of images that allows them the simple their lived experiences in an artistic medium. 8.5K likes. I just, I’m participating in culture. Art is about myth-making. What I did differently and how I was able to really maximize it, is I created a symbol that explicitly connected the migration of insects to the migration of people, and that it was actually something that it was dictated by nature. 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